fredlag@noos.fr
12-05-2007, 18:31
Muwashshah Ya ghazali kayfa 3anni ab3aduk (higaz / supposedly nim rawan 9/4 ) seems to be a specialty of the Shami school at the turn of the 20th century.
This is one of its most interesting renditions, by Muhammad al-‘Ashiq. The muwashshah is followed on the second side of the record by a qasida mursala higaz, Nazari ila wagh al-habib, in his usual style and with his beautiful voice, that appears quite influenced by Ottoman gazel.
Gramophone 5-12534/35, recorded in Beirut, circa 1908
The record is from a private collection, in a very bad state, transfered on inadequate equipment, hence the low quality of this document, which I apologize for.
محمد العاشق
موشح يا غزالي كيف عني أبعدوك
وقصيدة نظري إلى وجه الحبيب
مقام حجاز
The sada file provided is for the brave only. I suggest to listen only to the left track, which for a strange reason has less surface noise than the right one. The speed is different in the filtered version, which has also been extensively de-clicked.
This is one of its most interesting renditions, by Muhammad al-‘Ashiq. The muwashshah is followed on the second side of the record by a qasida mursala higaz, Nazari ila wagh al-habib, in his usual style and with his beautiful voice, that appears quite influenced by Ottoman gazel.
Gramophone 5-12534/35, recorded in Beirut, circa 1908
The record is from a private collection, in a very bad state, transfered on inadequate equipment, hence the low quality of this document, which I apologize for.
محمد العاشق
موشح يا غزالي كيف عني أبعدوك
وقصيدة نظري إلى وجه الحبيب
مقام حجاز
The sada file provided is for the brave only. I suggest to listen only to the left track, which for a strange reason has less surface noise than the right one. The speed is different in the filtered version, which has also been extensively de-clicked.