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Type: Posts; عضو: fredlag@noos.fr

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البحث: أخذت عملية البحث 0.11 ثانية

  1. Sayyid al-Ṣaftī - Badr el-Imāra & Yā Badr (Gramophone) / الشيخ سيد الصفتي - سلام بدر الإمارة - يا بدر إيه العمل

    الشيخ سيد الصفتي
    سلام بدر الإمارة راست مع السلام الخديوي عجم
    موال يا بدر إيه العمل حيرت أفكاري راست
    جراموفون

    Shaykh Sayyid al-Ṣaftī
    side 1-salām / badr el-Imāra (rāst) + khedivial salām...
  2. الموضوع: الموّال - The Mawwal

    الكاتب : fredlag@noos.fr
    الردود
    62
    الزيارات
    36,805

    The label gives us the American catalogue number....

    The label gives us the American catalogue number. On this page, the Egyptian catalogue number for this mawwāl rāst recorded circa 1928 and the lyrics. Many thanks Abu Marwan.
  3. ‘Abd al-Laṭīf al-Bannā - mawwāl Sīd el-Melāḥ / عبد اللطيف البنا - موال سيد الملاح

    The art of ‘Abd al-Laṭīf al-Bannā is never clearer than in his renditions of mawwāl and qaṣīda mursala, as expected from a former munshid. He is good as qaṣīda ‘alā l-waḥda but I suspected they were...
  4. الردود
    7
    الزيارات
    206

    2008/9 - Réflexions sur quelques enregistrements...

    2008/9 - Réflexions sur quelques enregistrements de cantillation coranique en Égypte, de l’ère du disque 78 tours à l’époque moderne (in French)
  5. We wrote at the light of a candel ;-) Problem...

    We wrote at the light of a candel ;-)

    Problem solved, the pdf version of the PhD is now in this new thread
  6. الردود
    7
    الزيارات
    206

    1988 - L'arabe dialectal dans les chansons d'Umm...

    1988 - L'arabe dialectal dans les chansons d'Umm Kulthūm, Masters' degree thesis (in French)
  7. الردود
    7
    الزيارات
    206

    2010 - L’ adīb et l’almée, Images de la...

    2010 - L’ adīb et l’almée, Images de la musicienne professionnelle chez Nagīb Maḥfūẓ et Tawfīq al-Ḥakīm (in French)
  8. الردود
    7
    الزيارات
    206

    2009 - Women in the singing business, women in...

    2009 - Women in the singing business, women in songs (in English)
  9. الردود
    7
    الزيارات
    206

    2017 - على قد الليل ما يتأول (in Arabic)

    2017 - على قد الليل ما يتأول (in Arabic)
  10. الردود
    7
    الزيارات
    206

    2017 - Shawwā et l’industrie phonographique :...

    2017 - Shawwā et l’industrie phonographique : vers une autonomisation de l’instrumentiste arabe ? (in French)
  11. الردود
    7
    الزيارات
    206

    2018 - Existe-t-il une langue des chansons arabe...

    2018 - Existe-t-il une langue des chansons arabe ? (in French and Arabic translation)
  12. الردود
    7
    الزيارات
    206

    Frederic Lagrange articles and writings on music

    December 1994 - Poètes et musiciens en Egypte au temps de la Nahḍa (PhD)
    in French.


    Please note that the discography section in the 3rd volume must be considered as a pioneer work and is now...
  13. الردود
    6
    الزيارات
    1,449

    Dear Abu Marwan, Your post has been moved to...

    Dear Abu Marwan,

    Your post has been moved to this thread, since, as you had already guessed, Victrola = Victor, and Victor = Gramophone Co / His Master's Voice, so this is indeed the very same...
  14. عنّت لي أربع ملاحظات وأنا أقرأ مقالة أبي علاء...

    عنّت لي أربع ملاحظات وأنا أقرأ مقالة أبي علاء البديعة
    1/ الأولى أتتفهها : إنه لمن بواعث البهجة والسرور أن يوجد في هذا الكون الواسع حفنة من المهووسين ليس فقط لم ينسوا عبد الحي حلمي وزكي مراد وأبو...
  15. Zakī Murād - Sabānī sehām el-‘ēn (Pathé) / زكي مراد - سباني سهام العين

    زكي افندي مراد
    دور/ سباني سهام العين
    Pathé 18297-98

    Pathé recordings are a rare treat, and since we are presently discussing Sabānī seham el-‘ēn, this is yet another recording of this dōr. ...
  16. ملاحظتان تعقيبا وتكميلا لتحليلات أبي علاء الصائبة...

    ملاحظتان تعقيبا وتكميلا لتحليلات أبي علاء الصائبة :
    1/ بخصوص الجملة الافتتاحية، والتي تبين بأجلى الأشكال الفرق بين مفهوم التلحين الغربي ثم الشرقي الحديث من جهة، والمفهوم العربي النهضوي من جهة ثانية،...
  17. Hayyart qalbi (studio version) / حيرت قلبي معاك - الصيغة الاستوديو

    Ḥayyart Qalbī was sung in public for the first time in December, 1961 (with Ansāk). I guess the studio version was recorded shortly before the concert, to be released immediately. The standard 33rpm...
  18. Ḥilmī-Sabānī sehām el-‘ēn (Baidaphon) / عبد الحي حلمي-سباني سهام العين

    عبد الحي افندي حلمي
    دور/ سباني سهام العين
    مجهول الناظم، لحن منسوب إلى الشيخ عبد الرحيم المسلوب
    مقام راست

    ‘Abd al-Ḥayy eff. Ḥilmī
    dōr / Sabānī sehām el-‘ēn
    lyricist unknow, composition...
  19. الردود
    3
    الزيارات
    242

    Dear Abu Marwan, El-bolbol by ‘Alī ‘Abd al-Bārī...

    Dear Abu Marwan,
    El-bolbol by ‘Alī ‘Abd al-Bārī on Odeon is a 4-side recording, parts 3 and 4 are missing here. I think the full set is available at the AMAR foundation, I will ask Mustafa if we can...
  20. Yes, circa 1926, Zakariyyā Aḥmad (believe it or...

    Yes, circa 1926, Zakariyyā Aḥmad (believe it or not). He did 2 other monologues for Amīn Hasanayn, see his discography.
  21. This is Polyphon 42596-1, the second side is...

    This is Polyphon 42596-1, the second side is monologue "Fe-yōm gamīl men zāt el-eyyām" [في يوم جميل من ذات الايام]. Both are composed by Zakariyyā Aḥmad. This one is indicated as ḥigāzkār but I don't...
  22. I did not know that. As far as speed is...

    I did not know that. As far as speed is concerned, I sped it up from the original 78 rpm, and felt it was natural this way, but we shall never know... As for filtration, there are 2 schools...
  23. here you are

    here you are
  24. Aḥmad Ḥasanayn - Yā mālek er-rūḥ & El-ḥelw lammā n‘aṭaf / أحمد حسنين - يا مالك الروح - الحلو لما انعطف

    Aḥmad Ḥasanayn was a maḏhabgī working with ‘Abduh al-Ḥāmūlī and he died circa 1904, just after recording for Odeon. His discs are among the very first ever recorded in the Middle-East, hence the...
  25. This is puzzling indeed : the voice is not muṭrib...

    This is puzzling indeed : the voice is not muṭrib at all, so why would a company hire such a voice ? The only explanation : because it is a famous composer, hence the Dawud Husni possibility. But it...
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